We are delighted to announce that our history of the London Jazz Festival, and of jazz festivals in London, has now been published. This is the final output of the Impact of Festivals project.
Music From Out There, In Here: 25 Years of the London Jazz Festival is FREE to read and download by clicking here: London Jazz Festival Book – Webster and McKay (2017). From the cover blurb:
Webster and McKay have pieced together a fascinating jigsaw puzzle of archival material, interviews, and stories from musicians, festival staff and fans alike. Including many evocative images, the book weaves together the story of the festival with the history of its home city, London, touching on broader social topics such as gender, race, politics, and the search for the meaning of jazz. They also trace the forgotten history of London as a vibrant city of jazz festivals going as far back as the 1940s.
We have a small number of paperback copies available for suitable libraries, cultural organisations, festivals, researchers. If you would like one, get in touch.
We hope you enjoy our new book; do let us know.
Note: a large-print version of the book is available here.
With my co-author, postdoctoral research assistant Dr Emma Webster, I’m pleased to draw attention to our newest project output This is a peer-reviewed article for Jazz Research Journal focussed on the impact of jazz festivals in particular. (The wider project embraces pop, folk and classical music festivals too, of course.) The article’s abstract is below. You can access freely a copy of the article here. It appears in Jazz Research Journal 9(2), pp.169-193. Below also is a short film in which I talk a little about the jazz festivals research of the project.
Festivals are an essential part of the jazz world, forming regularly occurring pivot points around which jazz musicians, audiences and organizers plan their lives. Funded by the UK’s Arts and Humanities Research Council, the purpose of this report is to chart and critically examine available writing about the impact of jazz festivals, drawing on both academic and ‘grey’/cultural policy literature in the field. The review presents research findings under the headings of economic impact; socio-political impact; temporal impact and intensification and transformation of experience; creative impact—music and musicians; discovery and audience development; place-making; the mediation of jazz festivals; and environmental impact. It concludes with a set of recommendations for future research, which identifies gaps in the field. To accompany the article, a 100-entry 40,000-word annotated bibliography has also been produced, which is freely accessible online.